Tag Archives: Object Design

Mickael Alacoque’s Sculptural Works present a Playful, Colourful and Eccentric Aesthetic.


 Prince Charming, Mickael Alacoque, 2008

Just a few moments ago, I discovered quite an unusual body of work by Mickael Alacoque, an artist / sculptor based in the United Kingdom who has created a series of sculptures that feature a bizarre, yet distinctive visual aesthetic. Alacoque’s ‘Bad Babysitters’ features a range of three-dimensional works that successfully combine three individual components including a human skull, two melting ice-cream cones and the body of a small canine, as referenced by Skullspiration. 1

I remember feeling that overwhelming sense of bewilderment as I continued to stare at this pink, fluorescent statue with the two ice-cream cones protruding from the forehead of the skull. Alacoque’s Prince Charming features quite an obscure appearance, although the work features a high level of detail and intricacy that is combined with an element of spontaneity.


Etruria and Florence, Alacoque, 2010

This particular work motivated me to undertake some further research into the artist’s own influences or inspirations. A Gallery presents an interesting statement by Alacoque who explains his previous training or expertise within “figurative sculpture and mould making,” as well as his interest in public monuments. The artist explores these traditional techniques within an artistic, contemporary context through the use of vibrant colours and iconic symbols. 2

Alacoque obscures the way the ‘public statue’ is interpreted or examined within society and the sculptural works present quite a unique, imaginative style through the use of bright, fluorescent colours and textures. The melting ice-cream cones, the grimacing skull and the canine’s body feature a refined, yet detailed structure that are combined in order to create a completely different meaning or interpretation all together.


Alacoque, Mitty, 2008

In regards to Alacoque’s statement from AGallery, “Gnome Kone and Bad Babysitter are part of a series of sculptures that are concerned with a playfully sinister bastardization of familiar objects.” 3

These sculptures in particular are often described as unsettling when they are viewed up close, however I don’t necessarily find them disturbing, in fact I find the Bad Babysitter series rather amusing or entertaining. From a personal perspective, the compositional elements present a playful, humorous and satirical disposition that successfully provide quite a memorable impression.

If you are interested in Alacoque’s eccentric works, I would recommend visiting the links listed below for further details.


1. Skullspiration, “Skull Sculptures by Mikael Alacoque,” http://www.skullspiration.com/skull-sculptures-by-mikael-alacoque/

2. Mikael Alacoque, Artist’s Statement, A Gallery, http://www.agallery.co.uk/gallery/mikael_alacoque.php

3. Alacoque, Artist’s Statement, A Gallery

Other References

https://www.facebook.com/pages/Mikael-Alacoque/31318213675  (Images are sourced from Facebook Page)


Extraordinary Three Dimensional Skulls by Alain Bellino


Alain Bellino, Vie de Chateau

Yesterday, I discovered the works of Alain Bellino, an artist / sculptor based in France who has successfully transformed a range of antiques and ornaments into these magnificent three-dimensional skulls. At first, I was immediately impressed by the level of detail and craftsmanship; Bellino’s sophisticated, yet perplexing designs provide a unique approach towards sculpting and metal restoration.

According to Bellino’s Behance website, the artist initially explored ornamentation and metal restoration in the 1980’s; Bellino applies these intricate materials with his own distinctive style in order to create a series of extraordinary, yet imaginative works of art.

The Renaissance period and the Vanitas have inspired the artist’s work that successfully combines a traditional European style with a modern, contemporary design. Bellino meticulously wields certain metals including Bronze, Silver and Gold in order to create a collection of inspiring, three-dimensional works, as referenced by the artist’s Behance site.


There are two works in particular that immediately captured my attention, the first one features a delicately, hand-crafted skull that features a range of creative, eclectic designs. The sculpture also features a castle that is attached to the very top of the skull; now this particular element is remarkably impressive to say the least!

I decided to view the image from a closer perspective and the skull is constructed from a range of floral patterns and designs; from a personal perspective Bellino’s sculpture successfully explores the concept of death. While the idea of fatality is imminent within Bellino’s work, the sculpture itself doesn’t necessarily feature a grim or grotesque representation. This is just my own interpretation anyway, I’m sure there are plenty of other meanings associated with this particular work.

Voyage is another fabulous sculpture produced by Bellino that features a detailed, intricate ship along with a silvery, monochromatic skull. The work is rather surreal and the detail is phenomenal, viewing this particular sculpture in person would be an incredible experience.


Bellino, Voyage

Every time I view the skull, I recognise something different or something I never even realised before. Take the key holes for instance, I never even recognised this fine detail until I decided to view the work for the second time, Voyage always has something unique to offer to the audience.

One could argue that Bellino’s Voyage, demonstrates the artist’s fascination with Renaissance art that is combined with a series of unusual designs. I can’t possibly imagine how long it would have taken Bellino to produce this particular work, it would be very interesting to find out!

Now I have mentioned two particular works that I have found inspiring, however I have recently discovered another image featuring a golden arrow impaling a bright, red apple that are both placed onto the top of a metallic skull. The colours significantly contrast with one another and the apple becomes a strong focal point; each individual detail delivers a very unique element that is almost impossible to forget!


Bellino, Successful 

As you can see, Alain Bellino has created some fabulous works, if you are interested in viewing the artist’s portfolio, click on the links below for further information. Justina Bakutyte has written a very interesting article in regards to the works of Alain Bellino that is definitely worth reading, just check out the link below.


Alian Bellino, “About” https://www.behance.net/sculpteur

Alian Bellino, Facebook Page, https://www.facebook.com/pages/Alain-Bellino-sculpture/336728229684306

Justina Bakutyte, “Extremely Detailed Steampunk – Inspired Bronze Sculptures by Alain Bellino,” July 3, 2014, Beautiful Decay, http://beautifuldecay.com/2014/07/03/extremely-detailed-steampunk-inspired-bronze-sculptures-alain-bellino/

Skull Appreciation Society, “Sculptures by Alain Bellino,” January  2 2014, http://skullappreciationsociety.com/sculptures-alain-bellino/

Bright, Colourful and Intricate Skulls by Marie-Pascale Gautheron


While I was browsing through the internet, I discovered the works of Marie-Pascale Gautheron, a contemporary artist based in Paris who creates a series of hand crafted skulls with delicate, vibrant and intricate designs. Every minuscule detail is highlighted through a combination of bold colours or decorative patterns that compliments the shape and the contour of the skull.

These sculptural works in particular reminded me of the Mexican Day of the Dead Celebration and the sugar skulls, however these quirky designs feature a unique, psychedelic twist. In regards to the Skull Appreciation Society, Gautheron uses the skull as a visual art form that are either drawn or hand painted and I was immediately intrigued by the high level of craftsmanship.


As I continued to browse through Gautheron’s online portfolio, I discovered a series of neon skulls and the paint successfully creates a very interesting, yet surreal effect. I decided to ask Gautheron about these delicate neon skulls and the artist explained that the works feature a “special paint that reacts to light.” This is definitely a fascinating method / process that instantly invites the viewer to take a closer look at the works.

These skulls in particular are quite different to anything I have seen before and Gautheron uses the skull frequently throughout her work in order to create a series of decorative and artistic murals. From a personal perspective, these eclectic skulls portray the concept of death and mortality in a positive, cheerful manner through the combination of vibrant colours and innovative designs.


There is another sculptural project that immediately captured my attention, Gautheron has constructed a skull from paper that features a highly detailed, realistic aesthetic; the work itself delivers so many different interpretations that successfully invites the audience to view the skull from another angle or perspective.

The skull features a drawing of an octopus holding a skull with its tentacles; this is rather interesting as the skull features a smaller image of a skull. This is quite a clever concept / idea and Gautheron’s work delivers a surreal, yet fascinating experience.


If you are interested in skulls or contemporary art, I would highly recommend visiting the artist’s website, Facebook, Twitter or Instagram page. The Skull Appreciation Society also features a very interesting article in regards to the works of Marie-Pascale Gautheron that is definitely worth viewing!






The Skull Appreciation Society, September 22nd 2014, Marie – Pascale Gautheron http://skullappreciationsociety.com/marie-pascale-gautheron/

Saatchi Art, Marie-Pascale Gautheron, 2014, http://www.saatchiart.com/mpgautheron

Illustrated Monthly, Marie-Pascale Gautheron, http://illustratedmonthly.tumblr.com/post/97929098769/rad-skull-art-by-marie-pascale-gautheron

New Ceramic Skull becomes Centre of Attention


Photographs by Charlotte Pridding 

During Christmas Sean and myself received some interesting gifts, over the past few weeks I have been particularly fascinated with this new ceramic skull that has been sitting on top of the desk in the study room for the past few weeks.

The skull features a range of patterns and designs that also provides quite an interesting effect and the colours compliment with the actual base of the skull. In fact the patterns are quite unique and the dark eye sockets do appear sinister, in fact the skull appears to be grinning.


So a couple of weeks ago, I was taking photographs of Sean’s work for a portfolio, I also decided to take some shots of the ceramic skull. The bright green grass compliments the patterns and designs on the very front of the skull. The overgrown grass also distorts the actual shape of the skull, I thought this particular effect was particularly interesting.


I’m hoping these photos will provide some new ideas in the next upcoming weeks. Thats all for now, stay tuned for future updates.

– Black Calavera

Skullavera showcases unique ceramic skulls at Melbourne’s Day of the Dead Festival

All the skulls in the photographs are produced by Skullavera

Last Saturday, I attended a Day of the Dead Celebration in Melbourne that featured a range of hand crafted skulls, printed t-shirts, altars, traditional Aztec dancing, Mexican street food and face painting! The event was located at the Trust Bar and Restaurant in Flinders street that was full of visitors with their faces painted as the Mexican sugar skulls, it was fascinating as there were so many different patterns and designs!

It was interesting to see how each person had interpreted the Mexican sugar skulls, some had used colourful face paint while others had decided to go with a  minimalist approach. Furthermore, I did find the event particularly fascinating as I have never been to a Day of the Dead festival in Melbourne and the event was quite different to what I was expecting! At first the venue was rather crowded, although I throughly enjoyed watching visitors passing by with their sugar skull face paint!


As I was walking through the venue, there was one stall that had captured my attention. There were a range of colourful and illustrative skulls that were displayed onto a wooden surface along with a selection of skeletal figurines including Frida Kahlo and Marlyin Monroe. These hand crafted skulls featured elaborate and decorative designs that are quite unique compared to the other ceramic skulls that I have seen throughout the city of Melbourne.

These incredible hand crafted skulls are produced by a company known as Skullavera that is currently based in Sydney, Australia. BME Melbourne have conducted an interview with the artist who explains that the skulls are inspired by Chicano / latino tattoo designs as well as “the Mexican Drug Cartels.” 1 Each skull features a completely different style, there were so many different patterns, designs and illustrations, in fact the stall at the Day of the Dead celebration was definitely vibrant and decorative.


In a way, the artist applies a unique and distinctive style to the ceramic skulls, the level of detail and craftsmanship is incredible! The illustrations provides each skull with a unique characteristic, these models appear to have an individual personality, a personal style!

While there were bright and colourful designs available, there were other skulls that featured a range of black and while illustrations, the stall at the Day of the Dead Celebration in Melbourne featured some extraordinary ceramic skulls in all different shapes and sizes, I was seriously tempted to buy one for myself!

The official Skullavera blog does mention that the hand crafted skulls are inspired by the Day of the Dead celebration; from a personal perspective the ceramic skulls do feature both Mexican and European influences, there are various designs that do remind me of Western popular culture. 2 The way the skulls were displayed do feature similarities to a traditional Mexican altar that is usually installed during the Day of the Dead in order to welcome spirits to the celebration, as referenced by Maria Herrera Sobek. 3


In fact the display in general was creative and inspiring, it was seriously hard to walk past the stall without taking a dozen photos, I was in awe for at least 30 minutes, I just could not take my eyes off these hand crafted skulls! I f you haven’t seen Skullavera’s work, then I would strongly suggest to visit the Facebook page or the blog, there is some incredible work displayed online.

For those who have never even heard of this Day of the Dead Celebration in Melbourne, I would recommend buying a ticket for next year! As if you can go wrong with beer, tequila, nachos and ceramic skulls all in the same venue? While the event itself was crowded to begin with, the works on display were definitely worth seeing!

1. BME Melbourne, “Skullavera Interview”, June 28th 2013, http://www.bmemelbourne.com/bmeinterviews/skullavera-interview/ (accessed 5/11/13)
2.  Skullavera Official Blog, http://skullavera.blogspot.com.au/ (accessed 5/11/13)
3. Sobek, Maria Herrera (ed) “Altars” in Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions, Volume 1 (California: ABC – CLIO, 2012) http://books.google.com.au/books?id=bDIwZ8BieWcC&pg=PA423&dq=traditional+mexican+altars+

Other References:




Underwater Sculptures by artist Jason deCaires Taylor


Jason deCaire’s version of La Diablesse from David Elliot’s article

Today a friend of mine posted a very interesting article onto my Facebook page, the photo was enough to capture my attention! Freelance writer, David Elliot explores a range of spectacular underwater sculptures produced by artist, Jason deCaires Taylor. In Grenada, visitors are invited to go scuba diving in order to view these three dimensional sculptures, this is by far the most unique idea / concept I have heard of!

In a way, Taylor is using the natural environment as an exhibition space, where visitors have to psychically submerge themselves into the Caribbean waters in order to witness Taylor’s unique body of work. According to Elliot, the artist’s collection features a range of unusual figures that depict ancient “Grenadian folklore”, although there was one sculpture that immediately captured my attention.


Taylor’s Underwater Sea Sculptures

Elliot’s article features a photograph of ‘La Diablesse’, an uncanny female figure with a brimmed hat and a skeletal face, there is something quite unsettling about this particular figure, especially the dark eye sockets and the unusual facial expressions that provide quite a sinister appearance. Even the name sounds sinister and the figure reminds me of something you would normally see in a horror film!

I can imagine that this particular figure would certainly give someone quite the fright, I know I would be disturbed, yet intrigued if I ever decided to go scuba diving in Grenada! So I began to question, who is ‘La Diablesse’? I’ve always been interested in ancient mythology / folklore, although I haven’t even heard about ‘La Diablesse’ until I discovered Elliot’s article. 1


Top View of La Diablesse, Photograph taken by Kiran Lall, 2006

In the ‘Encyclopedia of the African Dispora: Origins, Experiences and Culture’, Antonia MacDonald – Smythe describes this unusual figure as the “female devil”. There are many stories in ‘Caribbean folklore’ that were used to enforce good behaviour, these tales were also used warn others not to fall for a person based upon their physical appearance! 2

In comparison, Judika Illes from the ‘Encylopedia of Spirits’ explains that this attractive and alluring female figure would often isolate her victims within deserted areas, where they would be faced with death or immortality. 3

The victims finally witness the woman’s true appearance that is far from what they were expecting, instead they are faced with something rather deadly! Illes also mentions that ‘La Diablesse’ resembles certain characteristics to the human skull, I can see some of these ideas / concepts portrayed within Caire’s underwater sculpture!


Front View Photograph of La Diablesse

Taylor’s version of ‘La Diablesse’ does remind me of the human skull, especially the figure’s pale facial complexion, the dark eye sockets and the jawline. The photograph is quite extraordinary, the blue and green hues also provide a rather interesting effect! The skeletal frame contrasts with the figure’s pale, ghostly face and the artist has chosen the perfect location for this particular sculpture.

The ocean does provide a sense of isolation and disembodiment that also adds to the figure’s dark and sinister nature! So I often wonder how the artist creates these underwater sculptures? Creating a sculpture is quite a challenging task, creating an underwater sculpture is taking things to a whole new level!


Photography by Jason Taylor

According Taylor’s official website, these sculptures are produced by a range of materials that do not damage or harm the environment, in fact these sculptures are designed to assist with the development of underwater organisms. There is limited information in regards to the physical production of these underwater sculptures, just thought of developing a work of art under the ocean is definitely exciting! 4

I suppose the actual creation / production will remain a mystery, although I would definitely love to visit these sculptures one day. I would definitely recommend reading Elliots article or visit Jason deCaires Taylor’s website, the photographs will definitely inspiring and captivating! Hey if your feeling adventurous you could even visit the sculptures in Grenada, that would be a visit of a life time!


1. Elliot, David, “La Diablesse and other sweet Grenadian Dreams”, WordPress Blog (Accessed 14/10/13), http://theromantictraveller.wordpress.com/2013/01/18/la-diablesse-and-other-sweet-grenadian-dreams/

2. Smythe, Antonia MacDonald & Davies, Carole Boyce ed. “La Diablesse” in the Encyclopedia of the African Diaspora: Origins, Experiences and Culture, Volume 1 (California: ABC-CLIO, 2008) 


3. Illes, Judika, “Diablesse La” in the Encyclpedia of Sprits (New York: Harper Collins Books, 2009),

4. Jason deCaires Taylor, “Overview”, Jason deCaires Taylor Official Website, undated, http://www.underwatersculpture.com/about/overview/

Photo References






Two New Beaded Skulls from Mexico


Photography by Charlotte Pridding, 2013

On the day of my birthday, I received two small gifts from an authentic day of the dead store in Melbourne called Amor Y Locura. On the 22nd of September, I received two beaded skulls that feature intricate patterns and designs, the skulls were imported from Mexico and there were only two left in Australia, how how lucky is that?!

While visiting the Day of the Dead store in Melbourne, I was amazed by the two large beaded skulls on the very bottom shelf, the level of craftsmanship is remarkable! A customer within the store had advised me that these colourful beaded ornaments are also known as the huichol skull, I must admit I was intrigued by the name so I decided to undertake some online research.


According to Lynne Bairstow, Huichol Art derives from many ancient traditions and rituals that were commonly practised amongst the aztecs. Bairstow explains that the patterns and the designs found in Huichol Art represent nature, these beaded sculptures often contain a strong association to various animals and plants.

In comparison Harald Prins and Dana Walrath in Cultural Anthroplogy: The Human Challenge also comment on the extraordinary designs found within Huichol art that also refer to the values and beliefs practised amongst the indigenous communities within Mexico. Prins and Walrath refer to Schaeffer & Furst in People of the Peyote : Huichol Indian History, Religion and Survival, both authors explain that these particular designs refer to a “sacred plant” in Mexico also known as the “peyote”.


The indigenous communities in Mexico also associated this particular plant with a deer that would deliver important messages to many of the “gods and goddesses”. It’s quite fascinating to actually discover that all of these designs have such a strong meaning / signification; these beaded sculptures certainly reflect Mexico’s cultural and spiritual heritage!

So what else did I discover? Well, I also discovered the works of Catherine Martin who was also inspired by Huichol art during her trip to Mexico, Martin has also spoken directly to some of the tribes who create these exquisite sculptures. According to LN-CC, Martin collaborates with these ancient tribes in order to produce colourful, vibrant and remarkable designs! This is a very unique idea as I’ve never really seen too many artists or designers appropriate the Huichol beaded sculptures, in fact I’ve never even heard of Huichol art until I visited the Day of the Dead store in Melbourne.


I decided to take some photographs of the beaded skulls out in the backyard; I do find the patterns and designs particularly fascinating! The beads create a gradient around the eye sockets, the nose and the mouth, this also creates quite an interesting effect. Some of the patterns do resemble plants, animals and even flames that are located around the edge of the skull.

In a way the patterns remind me of an abstract landscape painting as strange as it sounds! The skull to the right has green along the bottom and the blue around the eye sockets reminds me of a river streaming along a field or a mountain; on the other hand, the white, orange and yellow remind me of a rising sunset. I suppose there would be various meanings and interpretations in relation to the beaded skulls, I must admit these sculptures do appear bright and colourful in the front living room, in fact they make fantastic ornaments for the house!


So if you haven’t seen one of these beaded skulls before, I would definitely recommend visiting Amor Y Locura in Melbourne, Fitzory. It’s definitely worth the visit, especially if you would like to see these exquisite Huichol Skulls in the flesh!


Schaeffer. S.B & Furst P.T, People of the Peyote: Huichol Indian History, Religion and Survival in Harold Prins and Diane Walrath’s,
Cultural Anthropology  : The Human Experience (California: Thomson Higher Education, 2008 – 2005, http://books.google.com.au/booksid=8WMGAAAAQBAJ&pg=PA331&dq=huichol+beaded


Baird, David & Bairstow, Lynne, Frommer’s Mexico (New Jersey: Wiley Publishing Inc, 2006) 


LN-CC, Interview with Catherine Martin, LN-CC, undated (accessed 4/10/13) 


‘Animate / Inanimate’ at the Tarrawarra Museum of Art

Animate Inanimate

Lin Tianmio’s installation at Tarrawarra Museum of Art, Photography by Mark Ashkanasy

A couple of months ago, I visited an exhibition at the Tarrawarra Museum of Art in the Yarra Ranges, ‘Animate / Inanimate’ is a group exhibition featuring the works of local and international artists; this extraordinary collection depicts the relationship between life and death through a range of large scale installations. According to Victoria Lynn in “Tarrawarra International, 2013”, the exhibition explores the connection between the animate and the inanimate, human and non human.

There was one installation in particular that immediately captured my attention, the very first gallery space features the works of Lin Tianmiao, a contemporary artist who has displayed a range of synthetic skulls that are covered in bright and colourful materials. The silk thread does provide an artistic effect that invites the spectator to view these three dimensional skulls from an entriely different perspective.

In the Western culture, the skull is normally perceived as a subject of fear, dread and anxiety, on the other hand, Lin Tianmiao uses bright and colourful silk thread that provides an artistic and innovative portrayal of death. In a way Tianmiao’s skulls become the subject of ‘beauty’ and simplicity as referenced by Anne Madeline in Art Almanac. Tianmiao’s synthetic skulls are combined with a range of inanimate objects, such as musical instruments and gardening tools that also feature a very unique composition.


Reaction, 2013 Lin Tianmiao, Photo from Tarawarra Museum of Art

From a personal perspective, Tianmiao abstracts the original shape of the skull through a range of miscellaneous items; the installation explores how the human skull becomes an ephemeral object. The exhibition invites me to speculate upon the human form, the human body is ephemeral and nothing in life lasts forever, even when death occurs, the body continues to decomposes until there is absolutely nothing left.

Each sculpture is attached to the ceiling with a piece of thread, as I continued to walk around the gallery space, I suddenly began to notice that the skulls would gradually rotate. This is such an innovative idea, as this allows each visitor to view the skulls from a different angle or perspective; I actually enjoyed walking in-between each sculpture / installation, this also provided a very unique experience, you don’t often have the opportunity to stand relatively close to an original work of art, most of the time there’s always a glass window or a strip of red tape protecting the works on display.

The gallery lights are placed in various positions within the space, each installation features a unique shadow that also creates a range of unusual patterns and compositions. This also provides another dimension to Tianmiao’s installations, at first I was attracted to the bright pink synthetic skulls twirling around within the centre of the gallery space, I then discovered the shadows that are refelcted onto the gallery walls, in a way these abstract patterns become a separate work of art!


Synthetic Bones displayed on the Wall – Lin Tianmiao, Photo by Yan Yuguang

On the other side of the gallery space, there were a range of synthetic bones that were also covered in multicoloured thread, these bones were attached at the very top of the wall in chronological order. The bones do increase in size from the entrance of the gallery all the way to the other side of the space, this also provides a rather unique composition!

I’m used to viewing artworks / installations at eye level so this was definitely a nice surprise, I had to tilt my head towards the very top of the gallery space in order to view the second installation, in fact the synthetic bones do feature a quite a unique proportion that also adds a very interesting effect to the overall exhibition. These synthetic bones are also wrapped in colourful thread, in a way the artist has created a gradient, a spectrum of colour that ‘abstracts’ the human form, as referenced by Victoria Lynn.

So the exhibition has also questioned whether the human form in both animate and inanimate, it’s quite an interesting theory when you think about it. Well, when we’re live, the body is animate, when the living body dies what does it become? In a way the skeletal remains become inanimate, they’re no longer apart of a living, breathing organism, the skull becomes a skull, it doesn’t move or run away anywhere, it’s a skull that becomes apart of all the other inanimate objects in the world, right? Yes, I know as strange as it all sounds!

Animate Inanimate

Photo from Tarrawarra museum of Art

This what I love about this exhibition, the works on display do invite me to speculate about the human form, about my own physical existence. It’s one thing to actually view a sculpture or a painting but it’s a totally different thing when you  actually begin to look further for the possible meaning / interpretation. While there were other works on display , I was particularly fascinated by Tianmiao’s work, the synthetic skulls were displayed in a very unique and innovative manner that also provided a unique perspective of space and proportion.

The installation was definitely different from anything else I have ever seen before, not only was I able to view the synthetic skulls, I was physically able to weave in-between each individual sculpture that did create a very unique experience. I would definitely recommend visiting the Tarrawarra Gallery, the exhibition is fantastic and the scenery is simply amazing!


Victoria Lynn in ‘Tarrawarra International 2013: Animate / Inanimate”, 29 June – 6 October, p. 2 -3

Anne Madeline, ‘Animate / Inanimate’, Art Alamanac: Australia, Next Media, 2013, p. 46 -47

Image References





Peter Gronquist Part II


I have been so fascinated by Peter Gronquist’s work, I have decided to write another post! In the previous post, I discussed one of Gronquist’s installations that features a deer’s head along with two golden skeletons at the top holding machine guns. I discovered an image of Gronquist installation on Facebook, the juxtaposition between the deer and the machine guns was so bizarre, the concept was so unusual I just had to write about it!

Well the other day, I received a comment in regards to Gronquist’s work, Parlour of Horror believes that the artist’s installation is a “commentary on the gun laws in the United States” With guns readily accessible within the United States, anyone can hunt and kill deer; Parlour of Horror also mentions how these particular concepts reflect a level of irony within Gronquist’s installation.

This is a very interesting comment, in a way Gronquist injects humour into such a dark and negative subject. So I decided to have a look at Gronquist’s other installations, the deer head’s have become a popular theme within the artist’s work. The golden machine guns do add a unique aesthetic to the work, Gronquist transforms the ordinary into an extraordinary body of work, I would just love the opportunity to view Genquist’s installations in person, it’s always a completely different experience when viewing an artwork in real life.

McDonalds by Peter Gronquist 

There was another installation in particular that has captured my attention. Gronquist has composed an animal’s skull with a McDonalds sign that illuminates the gallery space. The symbol reflects the way commercialism can impact the natural environment, don’t get me wrong commercialism can’t be blamed for everything, it’s just on of those things that has both positives and negatives.

The installation questions whether we constantly need to continue killing animals in order to produce a product that is cheaper than a single packet of potato chips; honestly these days, a cheeseburger costs one dollar, I can’t even buy bottled water for that price. I’m not saying McDonald’s doesn’t serve a valuable purpose to the way, I personally think commercialism can be taken to the extreme. Gronquist’s work may comment on meat production especially in the United States and the way life becomes cheap to a community that is completely overwhelmed with mass-produced products.


This is what I find fascinating about Gronquist’s work, at a first glance all you would see is a dear’s head with giant machine guns, at first you may laugh or wonder why on earth the artist has juxtaposed these two particular subjects. For me, the installations begin to have a powerful effect, they invite the viewer the speculate upon the meaning, the actual concept behind the artwork

The works themselves draw you closer and closer to the definition, the explanation, of course I just couldn’t move on with my day until I researched the context of Gronquist’s work. It is the ambiguity that allows me to maintain my level of interest and fascination with the artist’s installations.

If you are interested in Gronquist’s work please visit his official website for further information.





Nathan Sawaya


Sawaya Lego Skulls

Nathan Sawaya uses Lego Bricks to Produce Three Dimensional Installations. 

On a very warm Sunday afternoon, I discovered an impressive installation constructed from individual lego pieces, Nathan Sawaya has produced a series of lego skulls in blue, red, yellow and green. Sawaya is a contemporary artist who uses everyday materials to create large, three dimensional installations; his most famous  and his most memorable works are constructed from a range of colourful lego bricks.

I remember visiting Nathan Sawaya’s exhibition at Federation Square in Melbourne a few years ago, “The Art of the Brick” featured Sawaya’s most unique installations, the actual size and the proportion was extraordinary! I remember walking straight into the gallery space and standing right next to this giant tyrannosaurus rex made from lego bricks, Sawaya’s installation was almost the same size as the gallery space and the level of detail was rather impressive.

As I continued to walk throughout the gallery space, I was just amazed by the number of installations that were displayed within the exhibition, every corner featured a completely different body of work, which is good in a way because I always had something interesting to look at. Within the very last gallery space, I recognised a red, blue, green and yellow skull mounted to the back wall, the display and the presentation feature similarities to Andy Warhol’s Pop-Art Paintings from the 1970’s.

Colorful Skulls - Nathan Sawaya

The lego bricks in particular create a very interesting effect, the four different skulls on the back wall appear pixelated when they are viewed from a distance. Once you begin to walk closer to the installation, you are able to recognise the detail around the eye sockets and the jawline. Sawaya has successfully transformed an ordinary, everyday object into a masterpiece, the artist has used the lego blocks to create unique and rather extraordinary installations.

In fact I was so inspired by the exhibition that I decided to purchased 13,000 pieces of lego in order to create my own installation, it was a very interesting obsession that lasted for an entire year. I’ve always enjoyed working with lego and the thought of using this particular material for an art project was just way too exciting! If you make a mistake, all you do is remove the bricks, what more could you possible ask for?

I’ve always wondered how the artist assembles his large scale installations, I’m assuming the artist would use a special glue to hold everything together, otherwise I could not imagine how anyone would be able to produce a large three dimensional installation without the lego bricks falling to pieces. Of course my favourite installation in the exhibition were the lego skulls, in a way Sawaya has used the individual colours in order to create a unique style and aesthetic, it wouldn’t deliver the same effect if the colours were all mixed together.

So what does it mean to create a skull from individual lego bricks? Well the skull and the lego bricks are continually manufactured and reproduced on a regular basis, they’re two recognisable symbols that have influenced popular culture and contemporary art, I would say that lego and skulls just work really well together!

While the exhibition is no longer exhibiting at Federation Square, I would recommend viewing Sawaya’s work in person if you ever have the chance.

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