“Clip Ziyan, performance by Yaman Okur / Emilie Capel, Armchair by Harold Sangouard, Chief Operator, Charles Sautreuil, Tommy Pascal” – http://www.harow.fr/
Today I encountered a creative, yet remarkable concept that I’m just dying to share! I’ve recently discovered a stunning black and white video clip featuring a very modern, innovative style along with a geometrical skull shaped armchair by Harold Sangouard aka Harrow.
This 4 minute video clip titled Clip / Zyan features two incredible dancers / choreographers known as Yaman Okur and Emilie Capel who have created a very inspiring performance along with Chief Operator, Charles Sautreuil as well as the realisation behind the project, Tommy Pascal.
From a personal perspective, the visual imagery is minimalistic and the empty space intensifies the relationship between the two dancers, as well as the geometrical armchair. The overall composition is very intriguing, as the light from the window illuminates the chair’s sharp or angular structure.
The light isn’t sharp or overpowering, although these particular elements have produced some very soft shadows that provides a dramatic, sensual appeal to the overall performance. While the visual aesthetics are captivating, the music compliments the overall style and the dancer’s fluid movements.
There is limited information in regards to the concept or the relationship between the two dancers within the video clip; one could argue that the storyline is intentionally ambiguous or mysterious. I’ve often struggled to interpret the video clip, as the overall performance is highly conceptual and abstract.
In my personal opinion the dancer at the beginning of the video clip is missing the person he loves, perhaps he recently experienced a breakup with his girlfriend or perhaps the women he loves recently passed away. The dance performance may expose the dancer’s memories or past experiences, these are just my personal interpretations anyway.
The music (Little Ending 86) is another interesting component that intensifies the mood and the atmosphere within the performance. Throughout the video clip, the skull shaped armchair is positioned within the background and I’ve wondered whether the chair has a symbolic connection or representation in terms of the performance. Does the chair signify death’s permanent presence? Clip Ziyan is difficult to apprehend, as there is limited information online, however one could argue that the video encourages the audience to interpret or articulate the overall meaning.1
The armchair provides a unique element to the project / video clip that subtly compliments with the elegant, yet conceptual peformance. Harold Sangouard designed and produced this wonderful skull shaped chair with ‘resin, fiberglass and a steel internal frame’ as referenced by the artist’s website.2
Skullspiration have published another fascinating article relating to Sangouard’s creation and the chair is described as, “elegant, edgy and mysterious.” If only I had the chance to sit in this marvellous armchair, I would have to be dragged from it; in fact, the chair is transformed into such a remarkable piece of furniture.3 I agree, the chair features a classical, yet contemporary style that successfully establishes a very creative aesthetic within the video clip.
The clip incorporates contemporary dance and interior design in a progressive, dynamic and contemporary context. I would definitely recommend viewing this sensational performance! Click on the links below for further details.
1.Clip Zyan, http://www.harow.fr/ziyan.htm
3.Skullspiration, “Skulls Armchair by Harold Sangouard, Nov 29 2013, http://www.skullspiration.com/skull-armchair-harold-sangouard/