Category Archives: Fashion / Photography

Clip Ziyan by Yaman Okur, Emilie Capel and Harold Sangouard

“Clip Ziyan, performance by Yaman Okur / Emilie Capel, Armchair by Harold Sangouard, Chief Operator, Charles Sautreuil, Tommy Pascal” – http://www.harow.fr/

Today I encountered a creative, yet remarkable concept that I’m just dying to share! I’ve recently discovered a stunning black and white video clip featuring a very modern, innovative style along with a geometrical skull shaped armchair by Harold Sangouard aka Harrow.

This 4 minute video clip titled Clip / Zyan features two incredible dancers /  choreographers known as Yaman Okur and Emilie Capel who have created a very inspiring performance along with Chief Operator, Charles Sautreuil as well as the realisation behind the project, Tommy Pascal.

ziyan2

From a personal perspective, the visual imagery is minimalistic and the empty space intensifies the relationship between the two dancers, as well as the geometrical armchair. The overall composition is very intriguing, as the light from the window illuminates the chair’s sharp or angular structure.

The light isn’t sharp or overpowering, although these particular elements have produced some very soft shadows that provides a dramatic, sensual appeal to the overall performance. While the visual aesthetics are captivating, the music compliments the overall style and the dancer’s fluid movements.

There is limited information in regards to the concept or the relationship between the two dancers within the video clip; one could argue that the storyline is intentionally ambiguous or mysterious. I’ve often struggled to interpret the video clip, as the overall performance is highly conceptual and abstract.

7225a3_295cd2a731be4ddcb75e4a9858aae422.png_srz_591_322_75_22_0.50_1.20_0

In my personal opinion the dancer at the beginning of the video clip is missing the person he loves, perhaps he recently experienced a breakup with his girlfriend or perhaps the women he loves recently passed away. The dance performance may expose the dancer’s memories or past experiences, these are just my personal interpretations anyway.

The music (Little Ending 86) is another interesting component that intensifies the mood and the atmosphere within the performance. Throughout the video clip, the skull shaped armchair is positioned within the background and I’ve wondered whether the chair has a symbolic connection or representation in terms of the performance. Does the chair signify death’s permanent presence? Clip Ziyan is difficult to apprehend, as there is limited information online, however one could argue that the video encourages the audience to interpret or articulate the overall meaning.1

skull-arm-chair

The armchair provides a unique element to the project / video clip that subtly compliments with the elegant, yet conceptual peformance. Harold Sangouard designed and produced this wonderful skull shaped chair with ‘resin, fiberglass and a steel internal frame’ as referenced by the artist’s website.2

Skullspiration have published another fascinating article relating to Sangouard’s creation and the chair is described as, “elegant, edgy and mysterious.” If only I had the chance to sit in this marvellous armchair, I would have to be dragged from it; in fact, the chair is transformed into such a remarkable piece of furniture.3 I agree, the chair features a classical, yet contemporary style that successfully establishes a very creative aesthetic within the video clip.

The clip incorporates contemporary dance and interior design in a progressive, dynamic and contemporary context. I would definitely recommend viewing this sensational performance! Click on the links below for further details.

References

1.Clip Zyan, http://www.harow.fr/ziyan.htm

2.http://www.harow.fr/

3.Skullspiration, “Skulls Armchair by Harold Sangouard, Nov 29 2013http://www.skullspiration.com/skull-armchair-harold-sangouard/


UV and Black Light Sugar Skull Designs

UV-Sugar-Skull

#1 UV Sugar Skull Body Paint by Matt Deifer – http://goo.gl/mcsOEM

Last Week, I discussed my favourite sugar skull makeup designs that feature a range of highly creative and decorative patterns or styles. Over the past few days, I’ve discovered a series of sugar skull designs that are created with ‘ultraviolet / black light responsive makeup and body paint.’ These particular materials do create some spectacular, fluorescent patterns that provide a very artistic depiction of the Mexican Sugar Skulls.

While there is a limited number of UV or black light sugar skull makeup designs online, I’ve discovered at least ten different styles that feature a high level of detail, intricacy and craftsmanship. At first, I struggled to search for some of the artist’s names or websites and I’ve spent a good few hours searching for all the relevant information. It’ll be interesting to see whether the UV sugar skull makeup / body paint becomes a fashionable or popular trend, only time will tell. The black light and UV paint would definitely compliment your next Halloween outfit or celebratory event, you’ll immediately stand out from the crowd.

maxresdefault

#2 UV Sugar Skull Makeup by Krystaltips – http://goo.gl/K9r6Vv

What is Black Light Paint?

Before we get started, I thought I would briefly discuss the concept behind back lights or black light reactive paint. I initially researched UV makeup, although I suddenly discovered the term, ‘backlight’ that did create some confusion to begin with. According to Mark Chervenka, black light is another term or definition for ultraviolet light that is “invisible to the human eye.” However, the black light converts the fluorescent source into a “visible light” that features a different “wave length” compared to the lamps / electrical equipment within our households, as referenced by Chervenka.1

The black light is used for a range of creative or artistic purposes that does produce some fantastic results within a dark environment. David Cay Johnston from the new York Times explains that Joseph and Robert Switzer invented the visible, ‘fluorescent paint’ that is commonly known as Day-Glow. Robert Switzer severely injured his left eye, while he continued to unload packaged goods and he was confined to a dark space; this inspired the young chemistry student to experiment or research UV lighting.

a2865d1dd23459eac174aa8f1fa42a92

#3 Hybrid Black Light Sugar Skull by DRE Images – http://goo.gl/0U7sP5

According to Johnston’s article, the paint was used for the ‘warplanes’ during the Second World War that enabled the troops to “operate at night from aircraft carriers in the pacific.” The armed forces used ‘bright panels’ in North Africa in order to highlight their goodwill or friendliness to “Allied Dive Bombers.”2

David Johnston suggests, “ultraviolet light goes in and its energy is converted into visible light emitted by the chemicals in the paint, creating the bright fluorescent quality.”3 The technical procedures and the back story is fascinating; the black light paint is now used for many artistic, creative and inspiring projects including the bright and colourful sugar skull designs.

razem-blisko

#3 UV Sugar Skull Makeup by Agnieszka Grzelak – http://goo.gl/clKG0V

Black Light Photography

I’ve recognised many photographs that display black light or UV lighting and I began to research the actual process or equipment used in order to create these particular effects. Don Krajewski from the XOIND Studios recommends using a ‘black light’ in order to highlight the intended ‘subject’ as well as a particular material that will react to the black light. Krajewski also suggests experimenting with the manual camera settings including the exposure, ISO and lighting as well as the distance in order to achieve an artistic or stylised effect.

Krajewski’s article features some very useful suggestions or recommendations that’s definitely worth viewing if you are interested in UV / black light photography. WARNING: If you wish to experiment with this particular lighting, just be careful with the type of lights you are using, as there are certain sources who claim that UV Lighting / black lights can burn the skin, cause cataracts and radiation. Krajewski suggests UV-A lights for photography and this particular light source is often used for clubs or other specific environments; overall the article does provide some very knowledgable advice, it’s just something to keep in mind anyway.4

90e42e8e780e53dce6379d5d301d05d3

#4 Whispering Ghost, Blacklight Makeup by Lotoff – https://500px.com/Lotoff

Black Light: Conclusion

The black light paint and the dark background does provide a very dramatic effect that intensifies the overall style. From a personal perspective, the UV makeup significantly highlights the vibrant sugar skull designs as well as the fine, intricate detail. Lindsay Adler suggests that people may associate black light photography to a ‘party or a rave’ and there are certain elements including motion or movement that can create a level of interest and spontaneity. If the idea is executed in an artistic or creative manner, the image can feature some outstanding effects, although the UV lighting often isolates the main subject, it just depends on the intended meaning or style.5

I began to question whether the UV sugar skulls establish a closer association to death? I personally believe that the vibrant patterns and the dark background provides a very interesting composition between life and death. The decorative designs aestheticize the concept of death and the skull becomes a subject of beauty. This is such an interesting area of discussion that I’ll investigate over the next few weeks.

uv-make-up-candy-skull-light-painting-071

#5 UV Backlight Sugar Skull by Pieke Roelofs – http://photoandgrime.com/

Since I’ve explore the sugar skulls, the black light paint / makeup has become an area of fascination that has provide a level of inspiration. While, I’ve focused upon the history and the overall process, it’ll be really interesting to continue researching this particular subject. Here are some other designs or photographs I have discovered; this is all for now, although I shall return shortly, goodbye for now.

13375-MCO3252222084_102012-O

#6 Brittany Couture – http://goo.gl/Tt5kHs

3fbec3cc33766e757083d79609884079

#7 Duende ‘rfs – https://www.facebook.com/duenderfs

black_light_sugar_skull_with_tutorial_by_katiealves-d7zmymv

#8 Black Light Sugar Skull Makeup by Katie Alves – http://goo.gl/zxcMdD

048edf790866dff8debc32969c890941

#9 Lucy Chippindale – http://goo.gl/SVsj5L

title

#10 TiffyQuake – http://goo.gl/IAZ89I

References

1.Chervenka, Mark, Black Light Book (Pittsburgh: The Black Light Book, 2007) p.8 – 13
2.David Cay Johnston, “Robert Switzer, Co-Inventor Of Day-Glo Paint, Dies at 83,” Aug 29, 1997, The New York Times, 2015 (Accessed 18/2/15) http://goo.gl/HWySdw

3.Johnston, “Robert Switzer, Co-Inventor Of Day-Glo Paint, Dies at 83”
4.Don Krajewski, XOIND Studio Blog, “UV or Black Light Photography,” Mar 17, 2012, WordPress Blog (Accessed 18/2/15) http://goo.gl/D4aSN7
5.Adler, Lindsay, Creative 52: Weekly Projects to Invigorate Your Photography Portfolio (San Fransisco: Peachpit Press, 2014) p.77


Top Five Sugar Skull Makeup Designs

maxresdefault

Sugar Skull Makeup by Lindsay Hancock 

At the beginning of the year, I explored a range of inspiring, black and white makeup designs featuring the human skull. The post featured my favourite design and I briefly discussed certain patterns or styles that I find particularly inspiring. Today I thought I would briefly analyse five different sugar skull makeup designs that I admire; this task has been rather challenging, as there are so many fantastic styles or designs online. Before we get started, I thought I would briefly mention the cultural associations related to the sugar skull face painting.

Since 2012, I developed a fascination for the Mexican Day of the Dead Festival including the sugar skulls that have significantly increased in popularity within contemporary art and popular culture. I decided to conduct some additional research online, where I discovered hundreds or even thousands of photographs featuring various sugar skull make up designs.

According to Elizabeth Carmichael and Chloe Sayar, these vibrant, hand crafted sugar skulls are designed for the Mexican Day of the Dead Celebration, an annual tradition featuring a range of activities, decorations and memorials that welcome the ‘departed souls.’1 The Day of the Dead is often celebrated on the 1st and the 2nd of November that reflects both European and Pre Hispanic traditions, as referenced by David Carrasco and Scott Sessions in The Daily Life of the Aztecs.2 I began to question the growing interest in the sugar skull makeup, why do we paint a skull onto our face? and why do we choose sugar skulls as the primary design?

Margo DeMello investigates certain activities and decorations that are prevalent within the Day of the Dead celebration including the skull face painting that, “one again, represent the dead symbolically.” According to DeMello, the Spanish were perturbed by the Aztec’s optimistic perceptions of death and “this is reflected in the skull imagery used by celebrants today, which universally feature smiling skulls.”3

This is their most distinctive quality, the sugar skulls are colourful, vibrant and creative; they provide a positive approach to death and the designs have deeply inspired various cultures from around the world. So here are my five favourite sugar skull makeup designs, enjoy!

fd11b9b544e073fdbd5723b9471a8ea0

#1 Black and White Sugar Skull: Blair Earcret and Amanda.A.Hughes

As soon as I conducted my research into the sugar skull makeup / face painting, I was instantly inspired by this particular design. Blair Eacret and Akins Hughes have created an inverted skull and the overall style is very unique compared to the other sugar skull patterns that I have discovered online.

This is one creative, yet intriguing design that immediately captured my attention and the artist(s) have successfully created a very interesting perspective in regards to the sugar skulls through the use of black and white makeup or face paint. There is limited information in regards to the process and I have struggled to search for a website or a social media page. This particular design would work really well as a professional photo shoot or a makeup tutorial!4

1069814_472861772854443_7725422254090869818_n

#2 Elvis Schmoulianoff: Vegan Makeup Artist

While I was searching through my Facebook news feed, I discovered a very admirable sugar skull design by Elivs Schmoulianoff, a professional makeup artist who sources “cruelty free cosmetics,” as referenced by the artist’s website.5

The dark lines or patterns significantly contrast with the bright, vibrant colours; these particular elements successfully create a very striking design. The yellow and the red just compliment each other perfectly and the dark outlines exemplifies the circular patterns around the eyes, chin and forehead. While the design is beautiful, the eyes or the pupils feature a sinister appearance, which provides a very unique composition.

dia-de-los-muertos-sugar-skull-catrina-makeup

#3 Sugar Skull Makeup Tutorial by Lindsay Hancock

This is one incredible, yet colourful sugar skull design by Lindsay Hancock who has created a very instructional video tutorial in regards to the overall style. Hancock is a professional makeup artist and stylist from Los Angeles with an extensive modelling portfolio, as referenced by Hancock’s website.6 As I continued to watch the sugar skull tutorial, I was amazed by the different tones, pigments and gradients; they definitely add a very interesting dimension. The final result is very impressive and the photo shoot presents a very shiny complexion that compliments the colourful sequins around the eye sockets and the wig.

This is properly the most colourful sugar skull I have encountered and the style does remind me of a Barbie doll or Nikki Minaj. In one of the photos, Hancock stands in front of a bright, purple backdrop covered in glitter, although the colours are very overpowering at times; In my personal opinion, the makeup does work really well against a white / silver backdrop. Overall the tutorial, the photo shoot and the final result features a very distinctive and eclectic representation of the Mexican sugar skulls.

screen-shot-2010-11-11-at-5-58-15-pm

#4 Sugar Skull Advertisement for Jose Cuervo

Now this particular design was a surprise discovery that caused me to stop everything completely! According to LEVINE/LEAVITT, the sugar skull make up is designed by Alex Box who has ‘collaborated’ with a very talented photographer, known as Dimitri Daniloff in order to create an advertising campaign for Jose Cuervo.7

The patterns and the gradients are very smooth / refined and the elements contrast with the monochromatic colours and the dark backdrop. There are shadows along the model’s cheekbones that definitely adds definition to the design, the actual shape appears relatively similar to the human skull. This is a very fascinating campaign that has inspired me to try the tequila for myself.

sug3-1

# Royal Sugar Skull Tutorial by Jangsara

Last by not least, I present a very informative, yet interesting sugar skull tutorial by Jangsara. The site presents a list of instructions in regards to the shading, the definition and the decorations. The design is minimal compared the other styles that I have researched, although the shading around the cheekbones does remind me of the human skull. The actual shape appears similar to the skull, although the sequins do add a decorative element to the design.

While I do admire the sugar skull makeup, the roses are quite distracting and a simple, dark background would elevate the overall design. If the roses were smaller, they properly wouldn’t interfere with the main focal point. Overall the tutorial and the final result is very inspiring, creative and compelling.8

Overall, these are my favourite sugar skull makeup styles and the decision was incredibly challenging, as there are so many impressive designs to choose from. I’ll intend to create an additional post with all the sugar skull designs that I have recently discovered over the past few weeks. It would be interesting to research some male sugar skull designs as well in order to create some variation. I hope you enjoy the post and stay tuned for further updates.

References 

1.Carmichael, Elizabeth and Sayar, Chloe, The Skeleton at the Feast: The Day of the Dead in Mexico, (Texas: Texas Press Printing, 2003) p.6
2.Carrasco, David and Sessions, Scott, The Daily Life of the Aztecs, (California: ABC-CLIO, 2011) p.249
3.DeMello, Margo, Faces around the World: A Cultural Encyclopedia of the Human Face, (California ABC – CLIO, LLC, 2012), p. 58-60.
4.MuchPics, (Accessed 12/2/15) http://goo.gl/NmNW3J
5.Elvis Schmoulianoff: Make Up, Wigs and Body Art, ‘About,’ (Accessed 12/2/15) http://goo.gl/pifYhI
6.Lindsay Hancock, YouTube, “Sugar Skull Makeup Tutorial,” 31 Oct 2012 (Accessed 12/2/15) http://goo.gl/4pBjgG
7.LEVINE/LEAVITT, “Jose Cuervo by Dimitri Daniloff,” Nov 12, 2010 (Accessed 12/2/15) http://goo.gl/CM3gJC
8.Jangsara, “Tutorial: Royal Sugar Skull,” Sept 16, 2011 (Accessed 12/2/15) http://goo.gl/Zd9qcP


Black and White Skull Makeup Continued

DSC_0518111

Yesterday, I shared one of my self portraits with the black and white skull makeup and I thought I would add the rest of the photographs from the series. Once I’ve taken the photographs in the dark laneway, I decided to take some additional photos before I started to remove the makeup. I do enjoy experimenting with the makeup, my aim is to expand or enhance the overall design.

DSC_0499111

in my next attempt, I would create a different shape for the teeth and I would add some additional shadows around the eyes or the jaw line. In some of my previous posts, I have discussed my interpretations of death via black and white photography, I have highlighted the most crucial elements so I thought I would keep this particular post relatively short and simple. If you are interested in viewing the previous posts, just click on the link here for Death & the Photographic Image Part I and Part II

DSC_0493111

Towards the end of the night, I smudged the makeup in order to created a distressed or deteriorated effect that did create some interesting results. When I view the images, I sometimes can’t believe that I’m the person in the image, I’ve become my own personal representation of death. This is my first attempt with the black and white skull makeup in about two or three years and the photo shoot has provided an excellent opportunity for me to practise, I intend to continually develop or enhance the design.

DSC_0571111

The photographs are inspired by Robert Mapplethorpe’s Self Portrait, 1988 and the artist passed away in 1989 from AIDS, as referenced by the Tate Gallery Website.1 At first, I was fascinated with Mapplethorpe’s black and white self-portrait and the surrounding darkness definitely isolates the artist’s own face and his skull shaped cane; these particular elements have a profound effect in regards to my perceptions of death.

DSC_0482111

I regularly associated death with darkness and the reduction of colour or movement, although it’s so hard to articulate the ending of life, as there are so many different explanations. I have repeatedly mentioned these thoughts over the past couple of years and it will be interesting to see if these ideas will progressively change over time.

DSC_0480111

Anyway, I hope you enjoy the photographs and I have a surprise that I’m really excited about! I can’t wait to share the details!

DSC_0591111References

1. Mc Ateer, Susan, Tate Gallery, “Robert Mapplethorpe, Self-Portrait, 1989,” (Accessed 5/2/15) http://www.tate.org.uk/art/artworks/mapplethorpe-self-portrait-ar00496/text-summary


Self Portraits become distressed and decayed

DSC_097111

Last Friday, I uploaded some self-portraits that I’ve taken in one of Melbourne’s deserted laneways, today I thought I would share some of the photographs that I have destroyed. I’ve undertaken a project / experiment where I’ve ripped or destroyed my own self-portraits using water and cello tape in order to determine whether these alterations increase my connection to death.

The modifications definitely provide a distressed, sinister appearance and I can’t believe that I’m the person in the image, I’ve destroyed the image of myself in order to create a different effect.I have often placed the smooth image opposite the decayed version in order to observe the process or the progression, this experiment often reminds me of a body slowly decaying into a corpse, which is something I’ve mentioned before in my previous posts and this is one particular thought that will continually reoccur when I view these images.

DSC_100711

The scariest thought is the realisation that  I’ll start to decay or deteriorate once I’m dead and I’ve discovered that there is a similar parallel with the images that I’ve destroyed. At first, the photograph features a smooth, polished surface until it’s destroyed into something imperfect, flawed or decayed.

This is a really challenging task for me, as I will spend a long period of time preparing the make up for the photo shoot, installing the equipment and taking the photographs of myself. I often whether death is meant to feature a smooth, flawless or polished appearance? To me personally, I am able to establish a closer association to the concept of death through my distressed images, all the imperfections elevate the context of the work, the process from life to death isn’t a perfect experience.

DSC_120911

The images remind me of my car accident back in 2010, where I sandwiched between two other cars, I was lucky to be alive actually. While I crumple the image in-between my hands, I continually remember the car crumpling into a square box, this was a very close encounter to death and I actually thought I would die in a matter of seconds. Destroying the images has become a reminder of my experience and the overall process has allowed me to face this memory instead of trying to forget everything all together.

DSC_09961

Don’t get me wrong, I am pleased with my initial photographs although I do enjoy observing the smooth or polished surface of the image progressively transforming into an element of decay or deterioration. When I’ve crumpled the image, the texture provides a very interesting effect to the overall portrait and I’ve also rubbed the paper together in order to transfer the ink to another area of the photo, this technique also creates some very intriguing results.

There was one stage, where I experienced a printing error and the default created some very interesting filters with one of my photographs. Instead of throwing the photograph away, I wondered if I could use the image somehow. I crumpled the photograph and the texture complimented the colours, I don’t normally work with colour, although I thought this would be an interesting experimentation.

DSC_103711

While I have established a closer connection to death through the reduction of colour, the filters as well as the uneven textures do present a level of decay or destruction. There are certain scenarios, where accidents or defaults can work in your favour, it’s interesting to utilise these mistakes and transform them into something interesting.

There is another distressed photograph that produced some very interesting colours featuring blue and orange and I purposely set the white balance incorrectly in order to determine whether the adjusted settings would create a different effect. These experimentations do create some very interesting styles that are worth exploring further or later down the track. I often reuse the same image in order to determine what I can create something interesting all together, there is just so much to explore, stay tuned!

DSC_101311


Photographic Self-Portraits: Death and the Photographic Image II

DSC_02951

In one of my previous posts, I uploaded some self-portraits / test shots that I’ve taken in a deserted laneway in North Melbourne. I painted a skull onto my face with some black and white makeup along with the Kryolan Supracolors and I visited same location for my scheduled photo shoot. I decided to assign myself with a challenge and I began to take the photographs of myself around 9pm at night, the lamp posts provided some additional lighting that successfully illuminated the dark laneway behind me.

DSC_02941

About a couple of weeks ago, I briefly mentioned Susan Sontag’s theories in regards death and the photographic image. Sontag explains that a photograph has the potential to capture a “person’s mortality” and these explanations have invited me to consider my own interpretations of death.1 When I am standing still in front of the camera, I become completely motionless and the experience reminded me of death, I am confronted with the idea that the living body will eventually turn into a lifeless corpse and I have wondered whether death or the end of life results in darkness or complete silence. Sometimes I’ll view the images and I can’t even recognise myself, I’ve become something entirely different, the images have become a deathly version of myself, a persona or an alter ego.

DSC_02961

The lamp-post created some very interesting colour combinations including blue, yellow, green and even orange, although I decided to change the images to black and white in order to establish my connection or association with death. A couple of years ago, I realised that the reduction of colour enhanced my association to death and my thoughts / opinions haven’t changed significantly during this particular time, this is quite an interesting discovery!

DSC_03131

There was on particular moment during the shoot when the wind lifted my black cloak that successfully produced some very interesting photographs. When I viewed the images on-screen, I discovered at least five self-portraits that appear fairly similar to one another and they do work well as a series ,this would be another interesting idea for a stop motion animation. These images would work well as a story documenting the process of death, this is another concept I intend to explore further.

DSC_03141

The graffiti in the background does provide a very interesting element and I intend to expand upon this project; using some other venues or locations across the city would be perfect! This is just the start anyway, I’m hoping to deconstruct or destroy these photographs in order to elicit the notion of death and decay. I hope you enjoy the photographs, stay tuned!

References

1.Susan Sontag. On Photography (USA: Penguin Group 1977), 15

http://kryolan.com.au/products/supracolor


Redbubble Page: Finally Updated

DSC_027411

I thought I would spend some time updating my Redbubble Page, I’ve now added some of my photographs from the Skulls Project including some of my other photographic work and they’re all for sale! Check out the link below for further details.

http://www.redbubble.com/people/charley2209