Category Archives: Completed Work

Black and White Skull Makeup Continued

DSC_0518111

Yesterday, I shared one of my self portraits with the black and white skull makeup and I thought I would add the rest of the photographs from the series. Once I’ve taken the photographs in the dark laneway, I decided to take some additional photos before I started to remove the makeup. I do enjoy experimenting with the makeup, my aim is to expand or enhance the overall design.

DSC_0499111

in my next attempt, I would create a different shape for the teeth and I would add some additional shadows around the eyes or the jaw line. In some of my previous posts, I have discussed my interpretations of death via black and white photography, I have highlighted the most crucial elements so I thought I would keep this particular post relatively short and simple. If you are interested in viewing the previous posts, just click on the link here for Death & the Photographic Image Part I and Part II

DSC_0493111

Towards the end of the night, I smudged the makeup in order to created a distressed or deteriorated effect that did create some interesting results. When I view the images, I sometimes can’t believe that I’m the person in the image, I’ve become my own personal representation of death. This is my first attempt with the black and white skull makeup in about two or three years and the photo shoot has provided an excellent opportunity for me to practise, I intend to continually develop or enhance the design.

DSC_0571111

The photographs are inspired by Robert Mapplethorpe’s Self Portrait, 1988 and the artist passed away in 1989 from AIDS, as referenced by the Tate Gallery Website.1 At first, I was fascinated with Mapplethorpe’s black and white self-portrait and the surrounding darkness definitely isolates the artist’s own face and his skull shaped cane; these particular elements have a profound effect in regards to my perceptions of death.

DSC_0482111

I regularly associated death with darkness and the reduction of colour or movement, although it’s so hard to articulate the ending of life, as there are so many different explanations. I have repeatedly mentioned these thoughts over the past couple of years and it will be interesting to see if these ideas will progressively change over time.

DSC_0480111

Anyway, I hope you enjoy the photographs and I have a surprise that I’m really excited about! I can’t wait to share the details!

DSC_0591111References

1. Mc Ateer, Susan, Tate Gallery, “Robert Mapplethorpe, Self-Portrait, 1989,” (Accessed 5/2/15) http://www.tate.org.uk/art/artworks/mapplethorpe-self-portrait-ar00496/text-summary


Self Portraits become distressed and decayed

DSC_097111

Last Friday, I uploaded some self-portraits that I’ve taken in one of Melbourne’s deserted laneways, today I thought I would share some of the photographs that I have destroyed. I’ve undertaken a project / experiment where I’ve ripped or destroyed my own self-portraits using water and cello tape in order to determine whether these alterations increase my connection to death.

The modifications definitely provide a distressed, sinister appearance and I can’t believe that I’m the person in the image, I’ve destroyed the image of myself in order to create a different effect.I have often placed the smooth image opposite the decayed version in order to observe the process or the progression, this experiment often reminds me of a body slowly decaying into a corpse, which is something I’ve mentioned before in my previous posts and this is one particular thought that will continually reoccur when I view these images.

DSC_100711

The scariest thought is the realisation that  I’ll start to decay or deteriorate once I’m dead and I’ve discovered that there is a similar parallel with the images that I’ve destroyed. At first, the photograph features a smooth, polished surface until it’s destroyed into something imperfect, flawed or decayed.

This is a really challenging task for me, as I will spend a long period of time preparing the make up for the photo shoot, installing the equipment and taking the photographs of myself. I often whether death is meant to feature a smooth, flawless or polished appearance? To me personally, I am able to establish a closer association to the concept of death through my distressed images, all the imperfections elevate the context of the work, the process from life to death isn’t a perfect experience.

DSC_120911

The images remind me of my car accident back in 2010, where I sandwiched between two other cars, I was lucky to be alive actually. While I crumple the image in-between my hands, I continually remember the car crumpling into a square box, this was a very close encounter to death and I actually thought I would die in a matter of seconds. Destroying the images has become a reminder of my experience and the overall process has allowed me to face this memory instead of trying to forget everything all together.

DSC_09961

Don’t get me wrong, I am pleased with my initial photographs although I do enjoy observing the smooth or polished surface of the image progressively transforming into an element of decay or deterioration. When I’ve crumpled the image, the texture provides a very interesting effect to the overall portrait and I’ve also rubbed the paper together in order to transfer the ink to another area of the photo, this technique also creates some very intriguing results.

There was one stage, where I experienced a printing error and the default created some very interesting filters with one of my photographs. Instead of throwing the photograph away, I wondered if I could use the image somehow. I crumpled the photograph and the texture complimented the colours, I don’t normally work with colour, although I thought this would be an interesting experimentation.

DSC_103711

While I have established a closer connection to death through the reduction of colour, the filters as well as the uneven textures do present a level of decay or destruction. There are certain scenarios, where accidents or defaults can work in your favour, it’s interesting to utilise these mistakes and transform them into something interesting.

There is another distressed photograph that produced some very interesting colours featuring blue and orange and I purposely set the white balance incorrectly in order to determine whether the adjusted settings would create a different effect. These experimentations do create some very interesting styles that are worth exploring further or later down the track. I often reuse the same image in order to determine what I can create something interesting all together, there is just so much to explore, stay tuned!

DSC_101311


Photographic Self-Portraits: Death and the Photographic Image II

DSC_02951

In one of my previous posts, I uploaded some self-portraits / test shots that I’ve taken in a deserted laneway in North Melbourne. I painted a skull onto my face with some black and white makeup along with the Kryolan Supracolors and I visited same location for my scheduled photo shoot. I decided to assign myself with a challenge and I began to take the photographs of myself around 9pm at night, the lamp posts provided some additional lighting that successfully illuminated the dark laneway behind me.

DSC_02941

About a couple of weeks ago, I briefly mentioned Susan Sontag’s theories in regards death and the photographic image. Sontag explains that a photograph has the potential to capture a “person’s mortality” and these explanations have invited me to consider my own interpretations of death.1 When I am standing still in front of the camera, I become completely motionless and the experience reminded me of death, I am confronted with the idea that the living body will eventually turn into a lifeless corpse and I have wondered whether death or the end of life results in darkness or complete silence. Sometimes I’ll view the images and I can’t even recognise myself, I’ve become something entirely different, the images have become a deathly version of myself, a persona or an alter ego.

DSC_02961

The lamp-post created some very interesting colour combinations including blue, yellow, green and even orange, although I decided to change the images to black and white in order to establish my connection or association with death. A couple of years ago, I realised that the reduction of colour enhanced my association to death and my thoughts / opinions haven’t changed significantly during this particular time, this is quite an interesting discovery!

DSC_03131

There was on particular moment during the shoot when the wind lifted my black cloak that successfully produced some very interesting photographs. When I viewed the images on-screen, I discovered at least five self-portraits that appear fairly similar to one another and they do work well as a series ,this would be another interesting idea for a stop motion animation. These images would work well as a story documenting the process of death, this is another concept I intend to explore further.

DSC_03141

The graffiti in the background does provide a very interesting element and I intend to expand upon this project; using some other venues or locations across the city would be perfect! This is just the start anyway, I’m hoping to deconstruct or destroy these photographs in order to elicit the notion of death and decay. I hope you enjoy the photographs, stay tuned!

References

1.Susan Sontag. On Photography (USA: Penguin Group 1977), 15

http://kryolan.com.au/products/supracolor


Redbubble Page: Finally Updated

DSC_027411

I thought I would spend some time updating my Redbubble Page, I’ve now added some of my photographs from the Skulls Project including some of my other photographic work and they’re all for sale! Check out the link below for further details.

http://www.redbubble.com/people/charley2209


The Memento Series

DSC_14571

Photography and Makeup by Charlotte Pridding

The other day, I was searching through the files on my computer, where I rediscovered one of my photographic projects from the beginning of last year. I was pleasantly surprised when I realised that these photographs were stored away in my computer and I wondered why I haven’t shared them before.

The project continues to explore my own interpretations of death and the human skull through the application of face paint including black and white self-portraiture. I decided to experiment with different environments / props in order to create a different effect that significantly contrasts with my previous self-portraits, where I have often photographed myself in front of a dark backdrop.

To be honest, the photo shoot provided an excellent opportunity to practise my makeup / face painting skills within a limited timeframe and I randomly decided to include a black sheet at the very last-minute that surprisingly complimented with the face paint and the natural backdrops. Sometimes it’s those last-minute decisions that can deliver some very interesting results!

DSC_13491

I have often wondered what actually happens to the human body after death? Do we find ourselves in a completely different existence or realm all together? It’s quite difficult to explain, as the whole idea or concept in regards to death seems quite ambiguous to me.

I’m particularly fascinated in the interpretation of death within Western culture and I have often wondered whether death or immortality remains a sensitive subject? Is it something that we fear or have we accepted or embraced the idea? While the subject isn’t openly discussed, the contemporary culture is completely saturated with skulls and I often wondered whether it’s original meaning or purpose is diluted through constant repetition? The skull certainly appears as a popular icon that attracts fascination from the public or the consumer.

DSC_13631

It’s hard to tell really, as each person would have their own experiences or perceptions. These self-portraits are used as a way to explore some of these ideas and they also reflect some of my own interpretations that frequently change on a daily basis. While the whole concept of death is rather daunting at times, I have acknowledged that it’s an important part of life itself.

The self-portraits remind me of a life threatening experience a few years ago involving a car accident and I can remember my mind turning completely blank, everything became dark and unfamiliar, as if I was taken to a different place all together. I tried to forget about the incident for a while, although I have discovered that my interest for skulls derives from this particular experience.

DSC_12301

The self-portraits have allowed me to come terms with the accident and the photographs have become a reminder of death, the overall concept reminds me of the Memento Mori. Over the past few weeks, I’ve become fascinated with Susan Sontag’s publication, ‘On Photography’ that explores some very interesting concepts relating to photography and the Memento Mori.1

According to Susan Sontag, “All photographs are Momento Mori. To take a photograph is to participate in another person’s mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify a time’s relentless melt.” 2

I then began to wonder whether it is possible to record my own mortality through my self-portraits? In reference to Sontag, a photograph reflects a particular moment in time, while I’m growing older I can refer back to the younger images of myself. 3 The whole idea just seems surreal to me, I would love to take photographs every year in order to document the process or the journey from life to death.

According to Enrico De Pascale from ‘Death and Resurrection in Art,’ the Memento Mori is a Latin, Medieval concept that was used as a reminder or death and mortality. Many traditional or Renaissance paintings relating to the Memento Mori would normally feature ‘hour glasses, clocks or skulls’ that were used to reflect one’s own mortality. 4

I have had a couple of people who have mentioned that the works appear similar to a Swedish film, known as the Seventh Seal by Ingmar Bergman; this is quite fascinating, as I only discovered this film after the photo shoot and it’s strange how these things happen! If you are interested in learning more about the Seventh Seal, click on the links below.5

skull5 Overall, the portraits explore the way death can cause anxiety, fear and isolation; they have become a very useful way to confront some of these thoughts and ideas. This is just the very start, as I’m hoping to expand upon these concepts in the next few months.

Check out the Facebook page to view additional images, https://www.facebook.com/BlackCalavera22

References:

1. Susan Sontag. On Photography (USA: Penguin Group 1977) p.15
2. Sontag. On Photography, p.15
3. Sontag. On Photography, p.15
4. Enrico De Pascale, Death and Resurrection in Art (USA: Paul Getty Museum, 2009) p.86-89
5. The Seventh Seal by Igmar Bergman, http://www.imdb.com/title/tt0050976/


Black & Yellow Sugar Skull

DSC_0519copy
21 – 25/1/13 – Work in Progress 

I have been rather busy over the past few weeks, although I did manage to decorate some more sugar skulls in my spare time. I used the rest of the icing sugar in the back of the cupboard in order to create yellow and purple icing sugar; I then use the mixture for patterns / Illustrations. Well, I didn’t have a lot of luck mixing the icing sugar; the purple did turn to black, which was highly unfortunate. I do have an interest for complimentary colours and I thought it would be interesting to create a purple and yellow sugar skull.

DSC_0521copy
Well that plan didn’t work as well as I was expecting; I suddenly realised that I had run out of icing sugar. I just decided to go along with it and just use the black icing sugar, I spontaneously created a random design and then I used the yellow icing sugar in order to create a strong composition. I wasn’t too sure to begin with and I decided to continue decorating the skull until I was pleased with the results.

I decided to photograph the black and yellow skull along with the other sugar skulls I have decorated; I though this idea would create an interesting juxtaposition between all the different colours.


Black & White Self-Portriats inspired by Sugar Skulls part IV

DSC_0513
18/1/13 – Self-Portriats with Black Paint 

So I am still taking photographs at the moment; my black and white self-portrait explore the Mexican Day of the Dead Celebration and the sugar skulls from a Western / European perspective. The floral patterns are quite different as I have not seen this particular design used for the Mexican sugar skulls nor the Day of the Dead face painting. In a way, the patterns remind me of sun flowers, which does add an interesting effect to the self-portrait.

DSC_0499

In the previous post, I have explained how my self-portrait have become a reminder of death; on the other hand, the floral patterns become a manifestation of life and nature. These two components present a very interesting juxtaposition between life and death. I have decided to take an extra step further; I have decided to ruin my design with black paint in order to present a level of decay and degradation. I have applied the black paint beneath the eyes; I’m not too sure what motivated me to experiment with the black paint, I suppose I just wanted to create a different effect.

DSC_0507

The black paint underneath the eyes are similar to tears; it’s as if I have cried and stained the makeup that I had carefully applied to my face. I spend so long applying the makeup, it just feels very strange when I decided to destroy my design with the black paint. It is the imperfections that provides a darker, more sinister effect. To me personally, it is the imperfections that become a reminder of death and mortality.

DSC_0508
Some of the images are fairly dark; this particular effect does have a dramatic impact on the way I view death. In the self-portriats, I appear dead or recently deceased. These images have invited me to question what happens after death? what will happen to my body after death? What will I look like if I was buried in a coffin underground? I don’t really know how to answer these questions; hopefully the self-portriats will provide some answers in relation to my own interpretations of death.