Hey there, I know it’s been a while since I’ve posted, although I have recently discovered the most extraordinary performance artist that I have the urge to share!
Marina Abramović is internationally recognised for her inspiring, captivating and conceptual performances that provoke a powerful and emotional response from the audience, as referenced by Sean O’Hagan.1 I’ve recently watched a documentary known as, The Artist is Present that presents Abramović most iconic and fascinating performance at the MoMA Museum of Modern Art.
According to The Marina Film Project, audiences queued to sit in front of Abramović as she sat completely still within a gallery space for six hours straight for two to three months. There was complete silence, as Abramović would continue to stare at the person right in front of her. This is one of the most remarkable performances to date and I’m completely mesmerised by the way Abramović can emotionally engage with the audience.2
The documentary presents Abramović artistic career including her relationship with Ulay, although there was one performance in particular that immediately captured my attention. Nude with Skeleton 2005 presents the artist with a skeleton that is placed over the top of her nude body, as referenced by Lima. The most fascinating aspect is the skeleton’s synchronised movements that correlate with Abramović’s slow and controlled breathing; the overall performance delivers a very interesting parallel between life and death.3
Lima explains that the performance explores death’s inevitable presence and the very notion that life itself isn’t permanent. In fact, the performance invites me to consider the presence of life and death that is profoundly emulated through Abramović’s performance including the dramatic and captivating composition with the life-sized skeleton.5
According to the MoMA audio recording, Marina Abramović explains that the skeleton exposes the frightening perceptions surrounding death and the concept of facing mortality.6 This is quite a confronting piece, as the juxtaposition between the artist’s figure and the skeleton invites me to consider my own mortality and my impermanent presence within the world that is a relatively scary thought at times. The performance delivers a powerful and emotional response that is admirable and inspiring.
I know if I had a life-sized skeleton placed over the top of me, the experience would be surreal, even frightening. The thought that we’ll have to face the inevitable at some stage is a challenging feeling that invites me to reconsider the value of life and the present moment. It’s amazing to actually realise how one single performance can trigger these profound emotions or thoughts; this is what Abramović does best! 7
The Marina Film Project mentions that the performances were recreated within the exhibition at the MoMA through a dedicated group of artists that participated in Abramović’s intensive training sessions leading to the grand opening.8
If you ever get the chance to watch The Artist is Present, I would definitely recommend it, even if you’re not into performance art, this will provide a completely different perspective in regards to art and the surrounding world. The documentary invited me to understand the importance of being present and aware of the your surroundings internally and externally. Don’t forget, rent or buy a copy of this documentary, you will seriously be amazed!
1.Sean O’Hagan, “Interview: Marina Abramović,” Sunday 3rd October 2010, The Guardian, http://www.theguardian.com/artanddesign/2010/oct/03/interview-marina-abramovic-performance-artist
2.The Marina Film Project, Force LLC and Mudpuppy Films INC, 2012, http://marinafilm.com/
3.Lima, “Nude with Skeleton,” http://www.li-ma.nl/site/catalogue/art/marina-abramovic/nude-with-skeleton/9280#
4.Lima, “Nude with Skeleton”
5.MoNA Multimedia, “Marina Abramović. Nude with Skeleton.” http://www.moma.org/explore/multimedia/audios/190/2016
6.Lima, “Nude with Skeleton,”
7.Lima, “Nude with Skeleton,”
8.The Marina Film Project, Force LLC and Mudpuppy Films INC